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Shawnrhics

21 Mar 2021 - 04:52 am

I am a humble chef, however, Let me try to formulate my thoughts around the film, because it's so dear to my heart.

If someone which has a revolver gets off of the train within the prologue of Sergio Leone's film, then he or she must have something to say. The silent wanderer looks after a bitter story deep in his heart, his secret weighs heavily on his soul. However, even being sentimental in moments of relative solitude, the traveler is decisive, and in their eyes you can observe the rage which has accumulated over the years. He's not who he seems. The wanderer's name is Douglas Mortimer, a previous military man and already a bounty hunter. If viewers in the film listen towards words of any flabby old man chained to some bed (a funny grandpa appears closer to the center of the film), they will learn the trains, these damned and noisy objects, are responsible for everything. Alas, but earthly hardships are usually not confined to trains and Douglas Mortimer is well aware of this, his problem is made up of bones, flesh and blood. The, played by Lee Van Cleef, cherishes the soul with thoughts of revenge, but not simply revenge is in the middle of your plot of Sergio Leone's brainchild, because as well as the retired colonel, there exists another hero in the film. Fast, accurate, discreet, another bounty hunter. At the least curious, but at the most wildly interesting, specifically when the “one-armed” shooter is played by Bruce Lee in the joy of Westerns - Clint Eastwood. It's not hard to guess that the paths of Mortimer as well as nameless shooter will cross in the sun on the wild west. The spaghetti is already from the pot.

In A Few Dollars More, phrases just like “in ten mins you'll be smoking in hell” or “you want a new sheriff” are inevitable. The hero of Clint Eastwood is shown as being a shooter whose abilities can be relevant inside of a sci-fi novel, but everything is alleged cannot be attributed towards the disadvantages from the narrative. Including the most absurd moments in the Western genre and within the skillful direction of Sergio Leone become salt for spaghetti, and the tale from the partnership between One-Handed and Colonel Mortimer tenaciously keeps viewers with the screens, which are most likely visited by such thoughts: ¬¬ “I'm wondering what can happen further? Will One-Armed and Colonel Mortimer find mutual understanding? ” “A few bucks more” - shootings, chases, music of contributions, personifying the approaching of death, here satire, in conjunction with foolishness, lives hand and hand with drama and ironically interpreted religious motives. And, finally, situation shown by Sergio Leone could be the archetype of various paintings, where partnerships flow into friendship, though into a kind of friendship, in this particular friendship someone can shoot a friend within the neck to ensure he's not killed through the thugs of the final boss. The fireplace is burning under the pan. The spaghetti sets out to boil.

Sergio Leone's tape is a real classic on the genre, and this is clear and understandable by the sound of bullets fired from the heroes, bank robberies as well as long glances that two shooters exchange prior to the decisive shot, that shot that decides human destiny. The creators not simply draw attention to their creation (and they certainly it well), but also touch on burning topics in certain episodes of the film, not afraid to scoff at corrupt politicians and cunning businessmen, using original script moves. Also, it is over interesting to view lots of Clint Eastwood and Lee Van Cleef - the heroes of the old and new generation of westerns who, finding myself photographs of Manco (One-armed) and Colonel Mortimer, now and attempt to prove something together, competing inside possession of a revolver and doing of sieve hats. Hmm, something's heating up with the cooking, phew, you're ready serve spaghetti around the table. Winnie, the wedding guests are waiting, hurry up, they can be hungry and now taste Leone's signature spaghetti. It is difficult to have an expressive chef to find a good helper these days. Spaghetti is served, but wait one minute, dear guests.

Undoubtedly, Sergio Leone as part of his “A Few Dollars More” demonstrates to cinema the lion's share of his talent and professionalism, and the photo itself can be viewed hypertrophied dominating before the initial film on the trilogy, which attracted a person's eye with the expressive Akira Kurosawa. A long time later, Leone's brainchild tries to please numerous people, and also the film succeeds: those viewers who would like a dramatic story have it, people that love shooting and duels are satisfied, and connoisseurs of satirical humor will probably be satisfied after watching. As for the music, you are able to speak briefly - Ennio Morricone. Dear listeners, perhaps We are too excited, which are my thoughts slightly confused, but in the event you watch an incredible film of my fellow countryman one or more times, you will end up convinced with the correctness of my words. However, I cannot hide my bias, I must say i love the stories about the shooters in the wild west, where there are two completely different bounty hunters chasing exactly the same victim, yet not exactly the same motives. Oh, I almost forgot, season with spaghetti sauce and garnish with basil. Looks pretty good. Enjoy your meal!

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